I spent the morning in the art museum. It's about 30 steps away from the Place Gambetta at the head of my street. I'd already been on the ground floor, but the upstairs rooms weren't open the first time I visited. The museum isn't much to look at from the outside, so I was suitably impressed at its size and scope once I climbed the steps to the upper floors. I know I will sound like a rube, but you know what? I don't care. I hope I never lose my capacity to be delighted by art.
The "religious" room. |
I am suitably grateful to the Church for its patronage of the arts all those centuries ago. Without its support, we would certainly be poorer, both in music and the visual arts. Having said that, if I never see one more picture of a saint getting scourged or someone getting bloodied, I will not miss it. I don't even mind the portraits of the rich, because I love to see the details of the clothing of the day.
Mostly what I realized when I stood there today is just how ignorant I am about art, those who created it in the past, and those who are creating it today. I guess I will bump it up on the list of things to learn about before I die. I am tired of not knowing what I am viewing or why it was important enough to buy and hang in a museum. I understand that it is not always about beauty or technical skill, but those are important factors. It also can't simply be about a painting's age.
Love the sky. |
Thunk! The painting on the top to the left of the large canvas. |
They have a room full of Dutch painters' work that I just loved. I loved the way they painted the sky.So much of the painting is devoted to the sky. And there was one painting in particular--La Ferme dans le Bois--The Farm in the Woods---I now understand why someone would want to steal a painting. Something inside my chest simply went "thunk" when I saw it. I didn't get a very good photo of it.
They have a small collection of clocks and a room full of dishes. It is a marvel that these fragile pieces have lasted for hundreds of years. I wonder about the people who made them, the people who ate from them. Who were they? What did they talk about? What did they dream about?
One of their more ornate clocks--you can't tell but it's green enamel. |
I loved that the museum wasn't crowded. I loved that I could take pictures, as long as I didn't use the flash. I loved that I could stand as long as I wanted to in front of a painting and drink it in. And I could get as close as I needed to without touching it, of course, to see the details. I loved that it was free to get in, so I can go back tomorrow. And guess what? No gift shop, or at least none that I have found so far.
The Aude, looking west. |
After my communion with the created beauty, I came home for lunch. Because it was a spectacular day and I couldn't stand being cooped up in the house, I took myself off for a walk along the river, for some communing with natural beauty. I am amazed by Carcassonne's public spaces and how peaceful and uncrowded they are. They lack the controlled manicure of Paris' parks.
The grass along the Aude just gets to grow wild. The river, at least here, flows to the east, which is taking me some time to get used to. It was a brisk afternoon, and probably the last time I will be able to go out without a jacket.
I encountered children riding bikes and elderly couples out for an afternoon's constitutional. People on the benches were reading or having lunch. Nothing special, just people living their lives. And isn't that special enough? And over us all, the cite stands watch.